Louis Faber’s work has previously appeared in New English Review, Arena Magazine, Bengaluru Review, Alchemy Spoon, Driech, Exquisite Corpse, Rattle, Eureka Literary Magazine, Borderlands: the Texas Poetry Review, Midnight Mind, Pearl, Midstream, European Judaism, The South Carolina Review, and Worcester Review, among other publications, and has been nominated for the Pushcart Prize.
He leans on the bar
in the pose of the Thinker
lost in a reverie of Bourbon,
odd bits of foolscap
scattered about, coasters
for peanut shells,
and the odder...
